Saturday, July 31, 2010

What is Singing?

The act of creating melody using the voice is called singing, and a singing individual is termed as a singer or a vocalist. Singing is often distinguished from speech, and in many ways singing is regarded as a type of sustained speech. Hence, it is thought that anybody who has the ability to speak can also sing.

The musical sounds produced through the act of singing are called songs. Songs may be a capella, which means that it is sung without accompaniment, or they may be sung with accompaniment in the form of musicians and musical instruments. Singing may also be performed alone, or it may be performed with a group, with a choir being an example.

Singing may be done for simple enjoyment and this is done informally, such as singing while in the shower or singing in a karaoke bar. It may also be done very formally, as exemplified by professional singing for a performance, whether live in front of a watching crowd or in a recording studio. In this case, singing done on a professional scale, or at least on a high amateur level, entails the presence of some natural talent and a significant amount of regular, consistent and serious practice, which may be further enhanced with training and instruction. In general, professional singers develop and shape their careers around a particular musical genre. Furthermore, it is not uncommon for them to submit themselves to voice training under a voice coach all the way through their career.

The quality of a singing voice depends largely on the physical make-up of an individual. In particular, body parts such as the lungs, larynx, cavities of the head and chest, and other structures like the tongue, palate, lips, teeth, and the muscles of the neck, chest and abdomen.

Singing voices may be classified according to voice type, and is further subdivided according to male and female voices. The classification of voices involves the consideration of vocal range, vocal tessitura, vocal transition points like lifts and breaks in the voice, vocal weight, vocal timbre, vocal registration, physical characteristics, speech level, and the like.

The science of classifying voices originally arose in the development of European classical music, generally for the purposes of opera, such as in assigning certain roles according to type of voice. The classification of voices is hardly used in more modern singing varieties. Nonetheless, at present there are various systems of voice classification employed in the genre of classical music. Examples include the choral music system, the German Fach system, and several others. However, none of these systems is conventionally acknowledged or put to use universally.

Be that as it may, most of the systems of voice classification recognize seven specific main voice types, and this is also divided according to sex. Females are generally classified into three different voice types, which are soprano, mezzo-soprano and contralto. Men, on the other hand, are generally categorized into four different voice types, and these are countertenor, tenor, baritone and bass. Furthermore, the classification of voice type in children of pre-pubescent years also entails the consideration of treble. In addition to this, further sub-categories are applied within each of these specific main voice types, with consideration of particular vocal characteristics such as vocal weight and coloratura.

Learn to Play the Piano

When you start to learn to play the piano, there are some things you will need to do in order to be successful. You should have a piano or an electronic keyboard to get started. You should buy, rent or borrow it. Find a time during the day when you can be by yourself to practice.

Ask someone who plays the keyboards for advice. This could be an organist in a church or band, or someone who plays or used to play the piano.

You will need to practice on a regular basis to be good on the piano. Be patient. Don't compare yourself with others. Everyone learns at his or her own pace. You must also work on blocking distractions while you are practicing.

Learn to play the piano

Before you start to play any scale or chord on the piano, you must first learn the notes and how they relate to one another.

There are three types of notes

1. The natural keys or notes -These are basically all of the white keys on the piano. The names are A-B-C-D-E-F- and G.

2. The sharp keys or notes(#)- These are the black keys (going from left to right ) on the piano.

3. The flat keys or notes (b)-These are the same black keys or notes going from (right to left) on the piano.

When you hear a musician say play this song in C, he means C natural, without any flats or sharps. Or he could say D# which would mean D Sharp. Or he would say F b which means F Flat.

Learn to play the piano

You will notice, upon looking at the piano, that the black keys or notes are raised above the white keys and groups of two's and three's. This will help you identify the keys on the piano.

While practicing the piano or any musical instrument, take your time and don't rush it. There are a lot of things you won't get at first, but keep practicing.

With practice and patience, you will learn to play the piano.

Friday, July 30, 2010

For Music Lovers - The Most Beautiful Music Festivals This Summer in Umbria

For those who love music, a holiday in Umbria can be an excellent combination of relaxing oneself and enjoying culture. One can find almost everything, from classical music to jazz and blues. And everything is on an absolutely high level.

Today we present four festivals which are definitely not to be missed.

TRASIMENO MUSIC FESTIVAL, Magione, June 26 to July 2, 2010

The TRASIMENO MUSIC FESTIVAL was founded by the world famous Canadian piano player Angela Hewitt (recently honoured in Cannes as "best instrumentalist of the year 2010", one of the best Bach-interprets world wide).

The castle of the Maltese knights of Magione, the abbey San Pietro in Perugia and the church San Domenico in Gubbio form the impressive setting for high calibre concerts of classical music with internationally renowned artists and emerging talents. Together with Angela Hewitt 2010 the violoncello player Pieter Wispelwey, the Quartetto di Cremona, the Orchestra di Camera di Mantova and the Soprano Ilona Domnich will give concerts.

UMBRIA JAZZ FESTIVAL, Perugia, July 9 to July 18, 2010

UMBRIA JAZZ was founded 1973. Today it is one of Europes most important jazz festivals. During the festival Perugia becomes the favourite place to go for thousands of jazz enthusiasts from all over the world.

Everywhere in the town people can visit small concerts, many of them for free. As every year also at the 2010 edition of UMBRIA JAZZ you will find at Perugia jazz, rock, pop, and blues musicians of international fame.

TUSCAN SUN FESTIVAL, Cortona, July 31 to August 5, 2010

The TUSCAN SUN FESTIVAL takes place annual in the picturesque medieval town of Cortona. Music lovers can enjoy open air concerts on the Piazza Signorelli or chamber concerts in the nearby Signorelli theatre.

2010 at Cortona will be performing such illustrious artists as the soprano Renée Fleming (two time GRAMMY winner), the violin virtuoso Joshua Bell, 'BBC Cardiff Singer of the World', Ekaterina Scherbachenko and cello player Steven Isserlis (Gramophon award winner).

TRASIMENO BLUES FESTIVAL, Lago di Trasimeno, July 22 to August 1, 2010

The TRASIMENO BLUES FESTIVAL is probably the most important blues festival in Italy. In the little towns around Trasimeno Lake you can listen in relaxed atmosphere to legendary blues musicians as well as to spectacular emerging talents, enjoying a cool beer or a good glass of wine. Many visitors like to dance, once the rhythm hits them. Most concerts are free and listening to the blues in a warm summer night on the lake shore makes you feel almost like being in the Mississippi Delta.

Thursday, July 29, 2010

Hawaiian Music History

Hawaiian music is a product of years of acculturation of different cultures and sounds, a wonderful melding of different  Its history is as diverse as the history of its peoples.

Hawaiians did not merely absorb music and instrument brought to the island. They adapted music based on how it  their own traditional songs and chants. As a result, the Hawaiians have given the world the slack key guitar, the steel guitar, and the ukulele among others.

Traditional Hawaiian folk music is primarily a celebration

of nature, their gods, and love of life. Religious in nature, Hawaiian music traditionally involved chant and hula. Chants were either accompanied with music and dance (mele hula) or without (mele oli).

Before the arrival of the Europeans and their guitars, traditional Hawaiian musical instruments included the ipu (gourd drum), ipu heke (double gourd drum), ili'ili (two flat stones clicked together),  ohe hanu inu (wooden nose flute), large Conch shell that produces deep resonant sounds when blown, pu ohe (bamboo trumpet), and puili (slit sticks made from bamboo). Hawaii has little metals and minerasl (besides lava) so their ancient musical instruments were mostly made from shells, plants, and trees.

Documented Hawaiian music history did not start until the 18th century upon the arrival of the haoles (non-Hawaiian) in the island. Hawaiian culture expert Elizabeth Tatar divides Hawaiian music history from the arrival of the Europeans to the present into seven periods:

1820 to 1872

Mexican cowboys (vaqueros) came to Hawaiian with their guitars. King Kamehameha III brought them to teach Hawaiians how to control overpopulation of cattle in 1832. They taught the Hawaiians how to play the guitar. The Hawaiians changed the tuning of the guitar to adapt it to their traditional Hawaiian songs and chants. They loosened or slackened the strings of the guitar, thus giving the world the slack key guitar.

Though slack key guitar became popular, families kept  their own string tuning styles a secret. For this reason, slack key guitar (called Ki ho 'alu by Hawaiians) was a "back porch" musical instrument until Gabby Pahinui popularized it in the 20th century.  

During this period, numerous styles of European  music including Protestant hymns and falsetto singing.

Wednesday, July 28, 2010

Beginner Ukulele Chords Part 6 - How to Play a B Minor Chord

So far in this series on beginner ukulele chords, we have been looking at chords that have been fairly simple to play. In this part, we are going to step things up a gear.

All beginners start out with the same chords and those chords only require you to fret one note at a time with each finger (e.g. in the F chord, your middle finger only has to hold down the G string and your index finger only has to hold down the E string). Today's chord is more tricky.

Today you will have to hold down more than one string with a single finger. In order to play the B minor chord, you will have to perfect this technique.

How to Play a Barre Chord

Barre chords are those that require you to lay your finger across two or more strings in order to play the chord. B minor chord is such a chord.

In order to create a barre take your index finger (or 'pointer' finger if you prefer) and lay it across all four of the ukulele strings at the third fret. Press it down so that all the strings are firmly held against the neck of the ukulele.

Pluck each string on the ukulele in turn. Doing it this way will mean you can hear which strings are ringing clearly and which are muted. This is a tricky technique to get right, so take some time to make sure you have got the hang of it.

The best way to play it is with your thumb right behind the neck. This will give you extra pressure to hold down the strings.

Playing A B Minor Chord

To play B minor (or Bm for short), recreate your barre across the second fret. Make sure all the notes are sound clearly. Now fret the G string at the 4th fret with your third (ring) finger.

Most people find that when they attempt to add this extra note to the chord for the first time it sends the barre off and the notes aren't ringing clearly again. Try changing your hand around until everything is back again.

Andrew Hill Dance With Death Jazz Music CD Review

The exceptionally talented Jazz artist Andrew Hill has released him CD entitled Dance With Death. I am very confident and happy to announce that I believe Andrew Hill fans, and Jazz fans alike will be pleased with this one. With the release of Dance With Death Andrew Hill's artistic excellence is on full display as Hill has once again delivered a brilliant collection of tracks that could very well be him best work to date.

I wish it weren't the case but, it's not everyday that I get a CD from an artist that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can't force myself to get through. Not at all the case with Dance With Death. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

One of the nicer things about a CD like this is with this level of talent even if Jazz isn't your favorite genre you still can't help but appreciate the greatness of the artist.

Overall Dance With Death is a solid release. Quite possibly Andrew Hill's best to date. Really sensational from beginning to end. If you're even mildly into Jazz music you'll enjoy this album.

While this entire album is outstanding the truly standout tunes are track 4 - Dance With Death, track 5 - Love Nocturne, and track 7 - Dance With Death.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Yellow Violet. Wow!

Dance With Death Release Notes:

Andrew Hill originally released Dance With Death on October 5, 2004 on the Blue Note Records label.

CD Track List Follows:

1. Yellow Violet

2. Partitions

3. Fish 'N' Rice

4. Dance With Death

5. Love Nocturne

6. Black Sabbath

7. Dance With Death - (previously unreleased, alternate take, bonus track)

Personnel: Andrew Hill (piano); Joe Farrell (soprano saxophone, tenor saxophone); Charles Tolliver (trumpet); Victor Sproles (double bass); Billy Higgins (drums).

Recording information: Van Gelder Studios, Englewood Cliffs, New Jersey (10/11/1968).

Tuesday, July 27, 2010

Bona Fide "Poe House" Smooth Jazz Music CD Review

Poe House is the latest Smooth Jazz CD put out by the extremely talented group Bona Fide and they have once again has delivered a brilliant collection of tracks. I'm confident Bona Fide fans, and Smooth Jazz fans alike will be pleased with this one.

This one grabs your attention right from the outset with Club Charles and won't let go until the very last note of the very last song Goose, which by the way is another great track.

One of the nicer things about a CD like this is when the talent is this rich even if Smooth Jazz isn't your favorite style you still can't help but appreciate the greatness of the artist.

I'm of the opinion that Poe House is certainly Bona Fide's best work to date. A totally enjoyable CD and an outstanding release. What I call must have music. I give it two thumbs up because it's a collection that even the casual Smooth Jazz fan can appreciate and enjoy.

While this entire album is outstanding the truly standout tunes are Club Charles [track 1], Willie Don [track 2], and The Horse You Came In On [track 9].

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 6, Low Rider. What a nice track!

Poe House Release Notes:

Bona Fide originally released Poe House on Nov 20, 2001 on the N-Coded Music label.

CD Track List Follows:

1. Club Charles

2. Willie Don

3. The Poe House

4. El Dorado

5. It's Love

6. Low Rider

7. Blaze

8. The Horse You Came In On

9. The Block

10. Never More

11. Schmoke

12. Tito Pepe

13. Goose

Personnel includes: Alta Greene, Julie Mays-Sudduth (vocals); Kevin Levi (soprano & alto saxophones).